Question 1

What's the difference between MCM Twenty Four Evening MCM and Aventus?

Accepted Answer

MCM Twenty Four Evening MCM is a masculine fragrance (marketed to men, though wearable by all) from MCM Mode Creation Munich (1993) dominated by Fruity accords. Aventus is a masculine fragrance (marketed to men, though wearable by all) from Creed (2010) leaning on Fruity accords. They share 2 accords: Fruity, Sweet.

Question 2

Which is better, MCM Twenty Four Evening MCM or Aventus?

Accepted Answer

By community rating, MCM Twenty Four Evening MCM scores 4.29/5 vs Aventus at 4.32/5. Aventus's standout strength: Excellent projection and longevity, especially on clothing. The "better" choice depends on what you value — longevity, projection, season fit, or signature character.

Question 3

Do MCM Twenty Four Evening MCM and Aventus smell similar?

Accepted Answer

They share 6 notes and 2 accords, including Fruity, Sweet, Bergamot, Lemon, Jasmine. Aventus: Aventus is respected within the r/fragrance community as a high-performing, universally compliment-worthy fragrance with revolutionary fruity chypre characteristics.

Question 4

Which lasts longer, MCM Twenty Four Evening MCM or Aventus?

Accepted Answer

Aventus: Excellent projection and longevity, especially on clothing Longevity varies by skin chemistry, concentration, and application method.

Question 5

Which season suits MCM Twenty Four Evening MCM vs Aventus?

Accepted Answer

MCM Twenty Four Evening MCM scores highest for all seasons wear; Aventus scores highest for summer wear. MCM Twenty Four Evening MCM leans daytime, Aventus leans daytime.

MCM Twenty Four Evening MCM vs Aventus

Comparison Summary

Shared Notes (6)

Unique to MCM Twenty Four Evening MCM (20)

Unique to Aventus (7)

Shared Accords (2)

Frequently asked questions

Community Sentiment Pulse — Aventus

Positive

Negative

Attribute	MCM Twenty Four Evening MCM	Aventus
Brand	MCM Mode Creation Munich	Creed
Year	1993	2010
Rating	4.29	4.32
Concentration	—	—
Gender	masculine	masculine
Total Notes	26	13