Question 1

What's the difference between MCM Twenty Four Evening MCM and Aventus?

Accepted Answer

MCM Twenty Four Evening MCM is a masculine fragrance (marketed to men, though wearable by all) from MCM Mode Creation Munich (1993) dominated by Fruity accords. Aventus is a masculine fragrance (marketed to men, though wearable by all) from Creed (2010) leaning on Fruity accords. They share 2 accords: Fruity, Sweet.

Question 2

Which is better, MCM Twenty Four Evening MCM or Aventus?

Accepted Answer

By community rating, MCM Twenty Four Evening MCM scores 4.29/5 vs Aventus at 4.32/5. Aventus's standout strength: Excellent projection and longevity, especially on clothing. The "better" choice depends on what you value — longevity, projection, season fit, or signature character.

Question 3

Do MCM Twenty Four Evening MCM and Aventus smell similar?

Accepted Answer

They share 6 notes and 2 accords, including Fruity, Sweet, Bergamot, Lemon, Jasmine. Aventus: Aventus is respected within the r/fragrance community as a high-performing, universally compliment-worthy fragrance with revolutionary fruity chypre characteristics.

Question 4

Which lasts longer, MCM Twenty Four Evening MCM or Aventus?

Accepted Answer

Aventus: Excellent projection and longevity, especially on clothing Longevity varies by skin chemistry, concentration, and application method.

Question 5

Which season suits MCM Twenty Four Evening MCM vs Aventus?

Accepted Answer

MCM Twenty Four Evening MCM scores highest for all seasons wear; Aventus scores highest for summer wear. MCM Twenty Four Evening MCM leans daytime, Aventus leans daytime.

MCM Twenty Four Evening MCM vs Aventus

Підсумок порівняння

Спільні ноти (6)

Унікальні для MCM Twenty Four Evening MCM (20)

Унікальні для Aventus (7)

Спільні акорди (2)

Часті запитання

Пульс настроїв спільноти — Aventus

Позитивний

Негативний

Властивість	MCM Twenty Four Evening MCM	Aventus
Бренд	MCM Mode Creation Munich	Creed
Рік	1993	2010
Оцінка	4.29	4.32
Концентрація	—	—
Стать	masculine	masculine
Усього нот	26	13