5
Nuty
8
Akordy
2
Perfumiarze
Elixir Charnel Oriental Brulant
EliksirDamski
Stworzony przez Christine Nagel, Sylvaine Delacourte
Elixir Charnel Oriental Brulant by Guerlain is a Oriental fragrance for women. Elixir Charnel Oriental Brulant was launched in 2008. Elixir Charnel Oriental Brulant was created by Christine Nagel and Sylvaine Delacourte. Top note is Tangerine; middle note is Almond; base notes are Styrax, Tonka Bean and Vanilla.
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Nuty zapachowe
Najlepsza pora roku
100%
Zim
26%
Wio
23%
Lat
86%
Jes
Dzień i noc
80%
Dzień
89%
Noc
Piramida olfaktoryczna
Od otwarcia po bazę, intensywność na podstawie głosowania społeczności.
Nuty głowy0 – 15 min
Nuty serca15 min – 3 h
Nuty bazy3 h – koniec
Otwarcie
Rozwój
Baza
Nuty głowy0 – 15 min
Nuty serca15 min – 3 h
Nuty bazy3 h – koniec
Oceny użytkowników
498 głosów
4.32
Uwielbiam
25952%
Lubię to
18537%
OK
92%
Nie lubię
449%
Nienawidzę
10%
Community Insights
MixedBased on 49 community opinions from Reddit
6.5
/ 10 community score
The original 2008 Elixir Charnel Oriental Brûlant receives modest appreciation from the community for its balanced sweet Oriental composition, though its perceived similarity to Tonka Impériale and the poor 2016 reformulation have dampened enthusiasm. Fragrance enthusiasts note it's worth buying now due to reported discontinuation, but chemistry-dependent performance and potential reformulation concerns limit broader endorsement.
Strengths
- Beautifully balanced sweet citrus, almond, and vanilla notes
- Elegant French Oriental style that's not overly spicy
- Good longevity and performance
- Sophisticated and mature fragrance profile
Weaknesses
- Reportedly discontinued or being phased out
- 2016 reformulation significantly different from 2008 original
- Can smell very similar to Tonka Impériale, reducing uniqueness
- May become too peppery/spicy depending on skin chemistry
Best for
Evening wearCold weatherMature/sophisticated occasionsUnisex wear
AI-generated summary based on public community discussions. Not affiliated with the opinions' authors.
