Question 1

What's the difference between Eucalyptus Patchouli and By the Fireplace?

Accepted Answer

Eucalyptus Patchouli is a feminine fragrance (marketed to women, though wearable by all) from Bohoboco (2016) dominated by Woody accords. By the Fireplace is a feminine fragrance (marketed to women, though wearable by all) from Maison Martin Margiela (2015) leaning on Woody accords. They share 3 accords: Woody, Warm Spicy, Balsamic.

Question 2

Which is better, Eucalyptus Patchouli or By the Fireplace?

Accepted Answer

By community rating, Eucalyptus Patchouli scores 3.57/5 vs By the Fireplace at 4.22/5. By the Fireplace's standout strength: Unique and distinctive scent profile. The "better" choice depends on what you value — longevity, projection, season fit, or signature character.

Question 3

Do Eucalyptus Patchouli and By the Fireplace smell similar?

Accepted Answer

They share 1 notes and 3 accords, including Woody, Warm Spicy, Balsamic, Pink Pepper. By the Fireplace: By the Fireplace reçoit des avis mitigés de la communauté, les utilisateurs reconnaissant qu'il s'agit d'un parfum distinctif qui fonctionne mieux dans des contextes spécifiques.

Question 4

Which lasts longer, Eucalyptus Patchouli or By the Fireplace?

Accepted Answer

Longevity varies by skin chemistry, concentration, and application method.

Question 5

Which season suits Eucalyptus Patchouli vs By the Fireplace?

Accepted Answer

Eucalyptus Patchouli scores highest for summer wear; By the Fireplace scores highest for winter wear. Eucalyptus Patchouli leans daytime, By the Fireplace leans evening.

Eucalyptus Patchouli vs By the Fireplace

Résumé de la comparaison

Notes communes (1)

Uniques à Eucalyptus Patchouli (7)

Uniques à By the Fireplace (8)

Accords communs (3)

Questions fréquentes

Pouls du sentiment communautaire — By the Fireplace

Positif

Négatif

Attribut	Eucalyptus Patchouli	By the Fireplace
Marque	Bohoboco	Maison Martin Margiela
Année	2016	2015
Évaluation	3.57	4.22
Concentration	—	—
Genre	feminine	feminine
Total des notes	8	9